Hailing from a musical family, she won Grammys, sang backup to Elvis Presley and Aretha Franklin and helped shepherd Whitney Houston’s rise to fame. Source link
Read More »Review: Robert Lepage’s Latest Is as Unstable as a Deck of Cards
Robert Lepage’s latest play, “Faith, Money, War and Love,” runs for five hours, and aims to depict Germany since the end of World War II. Source link
Read More »Chappell Roan Seeks the Line Between IRL and URL
The rising pop singer has been transparently navigating the demands of fame — onstage and online — as she’s grown from cult queer-pop hero to zeitgeist-shaping star. Source link
Read More »The Cases Against Sean Combs
A discussion of the accusations the music mogul faces, the court of public opinion and how the entertainment press covers morally complicated figures. Source link
Read More »Nutter Butter, Are You Good? An Investigation.
The cookie sandwich brand’s videos — funny, disturbing, fever-dreamlike — rack up tens of millions of views. The secret is lots of lore without much sense, the campaign’s strategists explain. Source link
Read More »Lore Segal, Mordant Memoirist of Émigré Life, Dies at 96
One of thousands of Jewish children transported to England at the dawn of World War II, she explored themes of displacement with penetrating wit in novel-memoirs like “Other People’s Houses.” Source link
Read More »‘The Big Gay Jamboree’ Review: A Golden-Age Fantasia on Steroids
The goofball spirit that made Marla Mindelle’s “Titaníque” a hit is missing from her equally campy new show drenched in pop-culture references. Source link
Read More »Who Gets to Be a Daddy?
The best compliment a man — gay or straight, old or … not so old — can receive is to enter the pantheon of daddies. Source link
Read More »Olivia Bell Reprises Her Role in ‘Signs’ for City Ballet
Olivia Bell, 20, a radiant member of New York City Ballet, reprises the role she knocked out of the park as a student: “I want to do it right.” Source link
Read More »Osvaldo Golijov’s ‘Ainadamar’ Opera Makes Its Met Debut
Osvaldo Golijov’s opera about Federico García Lorca makes its Met debut in a dance-heavy production, directed by the choreographer Deborah Colker. Source link
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