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“Pay the Piper,” a manuscript by George A. Romero, the director of classics like “Night of the Living Dead,” was incomplete. Daniel Kraus, who studied Romero’s oeuvre, gave it a fitting finish.
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Review: Blood, Sex, Murder and Dance (No Screams)
Marikiscrycrycry examines fresh territory in “Goner,” but his ideas remain theatrically inert. Source link